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Boyz II Men - "Motown: A Journey Through Hitsville USA"

About.com Rating onehalf out of Five

By Mark Edward Nero, About.com

Album cover © Decca Label Group

The Bottom Line

On their new release, an album full of covers of old Motown songs, Boyz II Men prove that they're well on their way to becoming a nostalgia act who's time as a relevant act in the contemporary music spotlight is almost at an end. This half-hearted collection of songs that were originally made famous by Stevie Wonder, Smokey Robinson & The Miracles, The Four Tops and others, is the safest, most predictable move so far in what has already been a safe, predictable career for the group. And no, that's not a compliment. It's a condemnation.
Pros
  • Sometimes fine a cappella singing.
  • The nostalgia factor.
Cons
  • Bland production.
  • Lack of emoting.
  • Uninspired singing.

Description

  • Motown cover songs.
  • Corny, lukewarm schlock.
  • Produced by Randy Jackson.

Guide Review - Boyz II Men - "Motown: A Journey Through Hitsville USA"

Boyz II Men are by far one of the most commercially successful R&B groups of all time. They've sold in excess of 90 million albums during their career and had five No. 1 hits on the R&B charts between 1992 and 1997. But apparently, the group either knows, or feels, that its best days are behind it, because their latest album, Motown: A Journey Through Hitsville USA, is a collection of cover tunes that have placed the Boyz dangerously close to sappy nostalgia act territory. At this rate, within a few years, they'll be playing shows on the Las Vegas strip every night, alongside the likes of Celine Dion and Elvis impersonators.

Not only is the singing halfhearted (one strong exception to this is their version of Edwin Starr's "War" and an a cappella version of one of their own hits, "End of the Road"), but the production so bland and homogenized, the album sounds like a theme episode of "American Idol." And with good reason, too: Hitsville USA was entirely produced by "American Idol" pseudo-hipster Randy Jackson. Jackson's done the incredible here: he took one of R&B and pop's most beloved and respected groups, paired them with some of R&B and Soul music's best-known and well-loved classics, and managed to make an album that's barely worth even bothering to listen to.

Particularly disappointing are the Boyz' renditions of Marvin Gaye's environmental song "Mercy Mercy Me (The Ecology)," and of one of Stevie Wonder's greatest songs, "I Was Made to Love Her." The vintage versions of these two songs were powerful enough to create an indelible imprint in the psyche of the music world as a whole. But the remakes that can be found here are corny, lukewarm schlock that do a grave disservice to the writers and performers of the heartfelt, emotion-filled original versions.

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